“PRINCE OF DARKNESS WENT TO PLYMOUTH, summer all year long, said is this global warming or just some stupid song?” This query, which deserves a resounding double YES! answer, comes from those arch mock-rockers, Spinal Tap, on their 2009 disc, Back from the Dead. The song, “Warmer than Hell,” paints a smoldering portrait of our world superheated by global warming and too hot even for Satan to “enjoy.” Its concluding verse: “Sir Lucifer left London in his chariot of flame. What say I take the credit, then, and you shall take the blame.” After a sardonic chuckle and a little LOL, it got me to thinking about a little cult gem of an eco-conscious record from 1970, psych-rockers Spirit’s Twelve Dreams of Dr. Sardonicus, so … Spinal Tap, meet Spirit. Read More »

ABOUT HALFWAY UP THE LONG BEACH PENINSULA on the southwest Washington coast, in rather unprepossessing territory*, you’ll happen across
‘Well, it’s 1969, okay, all across the USA’
I CAN PICTURE ARTIST-PROVOCATEUR MARCEL DUCHAMP—had he time traveled forward—spray-painting his name, or a clever variant, on a qualifying “Cash for Clunkers” car and declaring it ART (much like he did in 1914 with a commonplace cast-iron bottle-drying rack; “I purchased this as a sculpture already made,” he later explained in a letter to his sister). But art signifying what? Art making what kind of statement in our troubled times of meltdowns both financial and environmental? Remember, the mischievous Duchamp also turned a urinal into readymade art (Fountain), signing it “R. Mutt.”