WHILE FAR FROM A HOUSEHOLD NAME ON OUR SHORES (and I should add—being an admirer, with chagrin—despite an Oscar, Grammy and two Golden Globe awards), Japanese composer-performer Ryuichi Sakamoto holds a globally prominent position when it comes to the mutually beneficial collision of art and ecology, having recently been honored with a UN Environment Programme Eco Award in 2009.
Sakamoto’s been involved with green pursuits since at least 1994, when he first moved away from plastic-jewel-case CD packaging to biodegradable paper sleeves. And he’s traversed some mighty terrain since then—as he puts it, “turning ego into eco”—which includes his latest release, Out of Noise, featuring two haunting tracks (“Ice” and “Glacier”) inspired by a Cape Farewell Project trip to Greenland viewing imperiled arctic glaciers.
Sakamoto—whose music encompasses classical, experimental, film scores, ambient, pop, jazz and electronica—is at the forefront of a larger movement that’s afoot. The vibrant relationship between the worlds of music and that of environmental concern has unquestionably gained momentum of late, and has seen genuine far-reaching and -ranging adoption (and not mere feel-good, get-on-the-bandwagon lip service to sell more tickets and product) by artists as diverse as Willie Nelson, Radiohead, Melissa Etheridge, the Roots, Pearl Jam, Moby, Bonnie Raitt, the Dave Matthews Band and Green Day. Good for the Earth? Absolutely! Good for your ears? Ditto that, and perhaps coming this summer, in a carbon-neutral manner, to a concert venue near you. Read More »